Old Issues and New Continue to Challenge Craft Artists
he responses to show surveys we’ve sent out in the past month are coming in and I’m enjoying the chance to hear firsthand about artists’ experiences at shows. These surveys are a follow-up to our reporters who are walking shows and visiting exhibitors around the country in 2004.
Many survey respondents also are taking us up on our invitation to comment on the crafts industry and markets, as well as our coverage of this arena. I feel as though I’m meeting these craftspeople in-person. I especially like the opportunities to engage in a conversation, of sorts, with some respondents. These exchanges give me greater insight into the challenges that artists — and some retailers — face and the issues that affect them in doing business. We hope to address many of these subjects in the future. I have already promised a few artists that I will do so!
This month we look at the need to continuously monitor the state of the industry, especially technological advances, and also not be too quick to abandon old ideas. In our Business Wise column, Joanne Varner reveals that the centuries-old system of barter is still used by modern-day professionals. Small businesses can benefit the most from barter, according to Varner, making this another option in a cashless — or cash-strapped — situation.
Technology is something we almost take for granted in our lives these days, but acceptance has been a long time coming for many craftspeople who still view computer-aided processes as a departure from the artistry of “handmade” work. But, as noted at the recent conference presented by the League of New Hampshire Craftsmen, technology is already part of some highly traditional work such as quilts and other crafts involving designs. A computer is just another tool, such as the hammers and pieces of charcoal that artisans picked up many centuries ago.
Our artist profile in September introduces an artist-designer whose most recent work would not exist at all without a computer. In addition, Jason Pollen’s continued success and innovation relies on his direct use of computers and the manufacturing processes that help translate his creative vision into functional works of art. “Is It Art if You Can Wipe Your Feet On It?” raises questions at every turn about the nature of craft and it’s future — for those who create it and those who sell it.
