March 2003 • Gardendance

Gardendance: Designed for a lifetime of outdoor beauty

Tinka Jordy and Mark Donley were frustrated by the lack of garden accessories they could find to accent the areas in their garden where nothing seemed to grow, or simply to accent their garden in winter. They were particularly frustrated that the only garden lighting they could find came in the form of cheap tiki torches. Drawing upon Jordy’s background as a professional ceramic artist and Donley’s design sensibilities and business background, the pair set out to create a line of exceptional handcrafted torches that combine organic elements like copper and clay from the earth, and the ritual fire that warms the spirit, in a product that is built to last a lifetime.

TCR: How did you first become interested in working with garden sculpture?

GD: We moved to Hillsborough, N.C., in 1987, where we purchased and restored a run down property and built a studio. We're both accomplished gardeners and share a love of nature and the outdoors. Each year we host an annual "Art in The Garden" Sculpture Invitational on the grounds we have created at our home and studio. It was through this that we recognized the public's desire for well-crafted garden accessories.

TCR: How has your career evolved?

GD: Gardendance began as Jordy Pottery in 1977. Tinka studied at both the Kansas City Art Institute and the Cleveland Institute of Art. Having worked as a professional artist, sculptor and designer for over 27 years, her sculptures are exhibited and collected internationally. Mark brought his business and design skills to Gardendance in 1997. Together, we have been working to meld the inspiration of the artist with the practical production ideals of industrial design.

TCR: Where does your business come from? How do you make your living from this art?

GD: We are dedicated to the independent retailer and we market only through wholesale shows. We also have a wholesale-only Web site. Through it, our wholesale customers can order from us. But they have to give us a resale number, and tax ID number, and then they'll receive a user ID and password. We do not compete with the retailers who sell our work. We take this very seriously.

TCR: Have there been major turning points in your career as garden artists/businesspeople?

GD: Tinka's father was able to see long before us that we should combine our talents and work together. He was truly a mentor and an inspiration to both of us. His life was that of an entrepreneur and he taught us not to fear taking risks to pursue a goal you believe in. His death was a major turning point for us. It's said that "they are not dead who live in lives they leave behind … in those whom they have blessed they live a life again." We feel that his entrepreneurial drive lives on in our company.

TCR: Do you see any business challenges specific to artists who craft garden sculpture?

GD: It's imperative that outdoor works not only be excellent in design but that they perform outdoors. They must be durable and weather resistant. We offer a lifetime warranty on our copper garden torches.

TCR: What has been the most difficult thing you have encountered in your work?

GD: Pursuing knockoffs. Our work has been copied, and we have fought the copyright infringers. Right now, we're involved in two $20 million lawsuits with large companies who have copied our work. Both would like to settle out of court, and we're hopeful that will happen. We copyright every design, and apply for a design patent. We don't want to be litigious; we just want to run our business. We enjoy what we do, and we want to be able to make our living doing it.

It's disheartening when our work is copied. It's time consuming to fight it and it takes a lot of negative energy, but we do it because it's important that these companies know that we're not going to just sit down and take it. It's endemic in this industry, and there are many people in this business who accept blatant copying of their designs as inevitable, and that's wrong. Copyright violation is a federal offense, and we'll go after anyone who copies our designs.

TCR: What kinds of preventative measures do you suggest people use to prevent having their designs stolen?

GD: We keep really good records. We don't give out any catalogs unless we have the person's business card and learn something about their business. We know everyone who takes a catalog from our booth. Not only is this good for follow-up marketing, we have a record of anyone who requests our catalog at a show. When we were copied, we were able to go back over our records and prove that the copyright infringer saw our work in our booth. Mark even chased a suspicious-looking catalog collector at a major gift show and got him to empty his bag. If someone really wants your catalog, they'll find a way to get it. But we don't have to make it easy for them.

TCR: What, in terms of business insight, have you learned to do or not to do over the years?

GD: We have learned not to chase trends. We are committed to creating well-crafted, imaginative designs. Good design is not a trend. Quality is not a trend. Elegant, imaginative designs never go out of style.

TCR: What is the next step for you?

GD: To more fully support our retail partners by creating the Gardendance name as a nationally recognized and respected brand.

TCR: Where can your work be seen?

GD: We exhibit at Atlanta, Dallas, Chicago, New York, San Francisco, and Philadelphia. We have permanent showrooms in the Gardens in Atlanta and Dallas. They will have shows in July. We will also be at the New York Gift Show in August. Our work is available at retail stores throughout the country.


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