|
Features
Profile
in Success: Mike Angel
A Woodworker Preserving Time-honored Traditions
by
Diana Lambdin Meyer
Tax
Tips for 2006
Hint: Work Where You Live and Pay Less Tax
by
June Walker
Blue Heron Gallery
A Remote Location in Maine Can’t Keep People Away from This
Beloved Gallery
by
Jim Weaver
Columns
Crafts
Retailer
10 Tips for Running a Successful Sale
by
Rick Segel
Crafts
Photography
Up Close and Personal: Shooting Small Objects with Clarity
and Sharpness
by
Steve Meltzer
Crafts
Finance
Alternative Financing: Bringing Artists’ Dreams
to Reality
by
Carole Enmark
Show
Business
The Silent Sales Team: Let Your Booth Signs Do the Work
by
Bruce Baker
Business
Wise
What Is the Role of the Museum in Your Craft Business?
by
Zen Parry
Crafts
Marketing
The PERFECT Press Kit
by
Lori Bugaj
Online
Exclusive:
Gail
Crosman Moore |
 |
|
Nestled among
the hills of the north Quabbin Region in Massachusetts, Gail
Crosman Moore experiments
with various techniques and materials to create vastly different kinds
of jewelry. On the one hand, she works with molten glass to make
intricate beads, and on the other, she uses felt as a sculptural
medium, and in jewelry. She says using complex coloration and a soft
palette helps keep her work fresh. She’s been recognized in
such publications as Bead and Button and Lapidary Journal, and
she’s just recently exhibited her work at the prestigious
Philadelphia Museum of Arts Craft Show. Find out more about Gail
Crosman Moore’s jewelry and business in our online exclusive.
|
|
|
|
On the
Cover: “Shell
Necklace,” with 14K gold / vermeil, measuring 18 inches long,
by polymer clay artist Elise
Winters, introduces this
month’s special focus on jewelry. Winters, of Haworth, N.J.,
features a combination of polymer clay with acrylic paints in her
signature pieces of jewelry. For more information, see the profile
article about Winters on page 24, or visit www.elisewinters.com.
For
more work by other jewelry artists, see this month’s Insight
section, starting on page 18.
Photo
by Ralph Gabriner, www.gabriner.com.
|
| Craft
Scene |
| • |
Editor’s
Journal: Finding New Markets for Your Work |
| • |
Oregon
to Host 2006
CODA Conference |
| • |
CAFTA
May Generate Competition in the American Craft Market |
| |
|
| Craft
Showcase |
| |
|
| Insight:
Jewelry |
| • |
Artists Share Their
Insights About Making a Living Selling Jewelry ...
Plus Resources |
| • |
Insight
Gained: How One Polymer Clay Jewelry Artist Made a Truly Life-altering
Decision to Follow Her Heart |
| |
|
| Regional
Profile: Maine,
Massachusetts, New Hampshire, Rhode Island & Vermont |
| • |
Focus on Providence, Rhode Island: The Littlest State,
the Biggest Welcome Mat for Artists
|
| • |
Regional Resources |
| • |
The
Vermont Studio Center: The
Supportive Stillness of Solitude |
| • |
Regional
Galleries |
| • |
Regional
Shows |
| • |
Craft
Showcase Artist Listings |
| |
|
| Loretta’s
Last
Line |
| • |
Sign
My Guest Book, Please |
|