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How to Finance Your Craft Business
Written by Patrice Lewis   

Of all the decisions start-up business owners have to make, the decision of how to finance one’s business has to be the thorniest. Do you beg, borrow or steal the money? Who can afford to finance a business these days?

There’s no easy solution, especially in this economy. But the fact is, hundreds of thousands of people have started craft businesses and galleries, sometimes on the flimsiest of budgets. With care and planning, you can too.

Don’t quit your day job
This may seem self-evident, but those nasty, time-consuming, traffic-clogged, mind-numbing, I-hate-my-boss jobs have one big advantage your business doesn’t—a steady income. And, assumedly, the occasional day off.

This mixture can be magic. Your day job provides the income to pay your regular bills. Your evenings and weekends provide the time to start turning your craft hobby into a craft business. So whatever you do, don’t quit your day job on the touching hope that your craft business will be an instant financial success. Because, in all likelihood, it won’t.

Obviously, if you’re already unemployed, now might be the time for a what-the-heck, let’s-give-it-a-try business launch. But I wouldn’t give up looking for steady outside work (at least part-time) in the meanwhile. In this economy, cling to whatever income you have or can get.

You’ve got what it takes
Now for the sterling silver advantage craftspeople have over other start-up businesses: Most people don’t just pluck a home craft business idea out of thin air. They start the business by expanding an existing hobby, talent, skill or trade. That means often they already have the basic tools or materials or knowledge necessary.

This is wonderful news because, although you may need to upgrade to more professional-quality tools later on, at least you have what you need to get started. Lots of small craftspeople (ourselves included) started their businesses using hobby-quality tools and machinery. So can you.

A different way of thinking about this is to make a craft product that is compatible with tools you already own. Tools such as a sewing machine or a band saw are versatile and easily adapted to any number of crafts. And, presumably, you own those tools because you’re already something of an expert in using them. Perhaps you’ve only been making Christmas presents for the grandkids up to this point, but nothing says you can’t use those same tools (and that same knowledge) to expand your repertoire into more sophisticated crafts that are marketable and have a wider appeal.

Penny wise, pound foolish
Sometimes a smart businessperson knows what not to spend money on. Kathy Pine of WorldWise Jewelry spent precious time and money trying to acquire skills she didn’t need to build her business—namely, learning how to build a website and how to properly photograph her pieces.“I assumed that it would be faster and more cost-effective to do things on my own, ”she notes.“I spent literally months designing my own website (when I had no website development experience to speak of), months trying to learnearrings how to take high-quality photos of my jewelry (when I barely knew how to use my camera), and more months trying to learn how to use Photoshop (making myself crazy just trying to figure out how to resize a photo for the Web).”The results, she says, were mediocre at best.

She learned a valuable lesson: Not everything associated with running a business must be done personally by the business owner. “By using experts to help me with things I don’t know and don’t really have a desire to learn,” concludes Pine, “I’ve been able to spend much more of my time doing things that are within my area of expertise— making jewelry (and therefore making money!).”

Black-and-white
Nonetheless, starting a business will take money, and that’s a commodity that might be in short supply in your household. So it’s time to get real. Putting everything down on paper is a superb method for figuring out expenses. There’s nothing like seeing those stark black-and-white numbers that don’t lie.

“Really look at everything you expect to buy when it comes to running your business—website expenses, supplies (office, raw materials, equipment, etc.), insurance, canopies/booths, display furniture, advertising (business cards, banners, postcards), and gas and travel expenses,” advises Michelle Sholund of By the Bay Botanicals. “It should be outlined on paper to see it all in black-and-white to determine if you can afford to start your own business with what money you have—and more importantly, keep running it when times are tough. People must be honest with themselves financially, and not look at the new business with rose colored glasses. This way, the opportunity for success becomes greater. I know firsthand how miserable it is [to use] all your hard earned money to pay expenses that could have been avoided—like credit card debt, which is the first killer of start-up art or craft businesses. There is nothing wrong with taking some time to save extra money because you will, in the long run, save more money by not paying finance charges and other fees that comes with credit cards or loans.”

Debt is dumb
In the words of financial advisor Dave Ramsey, debt is dumb. In fact, it’s about the dumbest way you can finance your craft business. The harsh reality is, if your business fails, you’re still stuck with the debt.

Far better to adopt artist and teacher Susie Monday’ssusiemonday philosophy of pay as you go. Sure, it’s not as quick, but it’s a far safer method. “The only feasible way for me to finance my work has been with a pay as- I-go approach, ”says Monday.“ I cash-flow my business with a really simple budget every two weeks—that’s a short turnaround, I know, but for now, that’s about as far out as I can go financially.”

Monday worked as a nanny for five years to some children who had lost their mother to cancer. This allowed her to work on her art while the children were in school.“After about five years, the kids were on their own driving,” she says. “I was out of nannyville, but I had the time, experience and had built a résumé as an artist during my off-hours. By that time, I was both selling enough and had teaching opportunities to finance my time in the studio. I occasionally have to rely on credit cards for travel, especially when I teach at a venue far from my home. Cash flow can be tricky. But I aim to pay off those cards as soon as the expense checks come in, and I have managed not to get too far into debt at any time.”

Credit card caveats
So is there ever a situation where the judicious use of debt can allow the small businessperson to get a business off the ground? Yes…but with caveats. Remember, if your business fails, you’re still saddled with whatever debt you incur. Therefore, you must approach your business like a business (a surprising number of people still treat a business like a hobby and make poor business decisions). It requires discipline and hard work.

Alicia Campbell, affectionately called “The Batty Lady” is an example of how the careful use of credit cardsthebattylady enabled her to finance her start-up business. “Starting a business at the beginning of a slowing economy is probably not one of the smartest things to do,” she admits. “I started The Batty Lady (a quilt batting supply source) in February 2008. I was on my own for financing, through the use of my personal credit cards. I probably wouldn’t recommend it, unless you have the financial capability to pay back the cards out of other income if the business fails. I have a day job in addition to my little business. Since the business is home-based, I don’t have the rental expense of a brick-and mortar store, but there are regular monthly expenses that have to be met (credit cards, website, advertising). My initial expenses were inventory, about $8,000 worth of stock needed to be purchased to cover the website and the quilt shows that I would be attending within the first few months of business.”

Campbell concludes, “I am now working on paying off all the start-up costs so that I can be a pay-as-you-go business and eliminate any interest expenses.”Campbell’s case illustrates that, even when a business succeeds, debt still needs to be paid off.

A means toward an end
Finding the money for a start-up small business is not easy. It’s not supposed to be easy. If it were easy, everyone would be doing it. Like anything worth doing, financing a business usually requires a complete philosophical change from immediate gratification to deferred rewards.       

How can you finance a business without going into debt? You use the principles of deferred rewards. Skip the restaurant dinner and apply those funds toward your business instead. If you have a favorite vice (smoking, shopping, etc.), you could give it up and apply those funds to the business.

But even if you’re as thrifty as can be and apply all your spare money toward funding the business, life can get in the way. A new baby or aging parents may mean you’ll have to defer your business dreams for a while. Be patient.

And nothing says you can’t run your business under less-than-ideal circumstances—a cramped garage instead of a shiny new shop building; a secondhand sewing machine on the kitchen table instead of the latest model in a dedicated sewing room. Dreams that are nurtured and built slowly over time often yield the strongest successes (think oak trees).

Some of the most successful craft entrepreneurs we know are a couple who started an oil-and-incense business on a card table in their spare bedroom. Fifteen years later, they employ five people, rent a large warehouse and supply stores all over the country.

Dream big, start small. Don’t do the opposite. Remember: Bill Gates started in his garage. You can too.

Patrice Lewis is co-founder of a home woodworking business and the author of The Home Craft Business: How to Make It Survive and Thrive. She and her husband have been in business 18 years. The Lewises live on 20 acres in northern Idaho with their two homeschooled children, assorted livestock and a shop that overflows into the house with depressing regularity.

 
How to Shoot the Same Piece for Different Uses
Written by Steve Meltzer   

When we had to shoot film for slides of craftwork, framing was a big decision. You set up yourspringcollection art, turned on the lights, carefully framed the work and took your shot. The resulting slide was the final word on the craftwork. Then you made a few dozen copies of the slide, which were often off in contrast and color. Yet these were the slides you submitted to shows and hoped to get them back undamaged.

Digital photography has totally changed the world. We live in a world of infinite copies and extraordinary distribution. It has given us the ability to take dozens of images of craft with no additional cost. And the paradigm shift here is that now it’s easy to take different photos of a work for different purposes.

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Which Business Insurance Is Right for You?
Written by Paul Harris   
inding business insurance that’s “just right” for your art or craft business can make you feel a bit like Goldilocks (of the Three Bears fame). Having too little or the wrong type of coverage could be disastrous for your business; paying too much for your coverage because the insurer lumps you in with bigger businesses can be just as bad.
Luckily, your search for the right business insurance can have a happy ending. All it takes is a little understanding of the different types of available coverage and a good assessment of your art/craft business needs.
Depending upon whether your art/craft business is a part-time endeavor run by one person, or a full-time operation with several employees, your business insurance needs can typically be handled by one or more of the following four types of policies:
Homeowners Policy
In-Home Business Policy
Business Owners Policy
Event/Show Insurance
It is very important to make sure you have the right kind of policy and coverage for your business. Each of these policies fulfills a certain need and has its place. Let’s take a quick look at each one and learn about the factors that may help determine what coverage is best for your art/craft business.
Homeowners Policy
It’s common for people to run art/craft businesses from their homes or apartments. While they may assume their homeowners policy will cover their business, most home-based business owners are unaware that a homeowners or renters policy probably does not cover their business. A typical homeowners policy provides only minimal coverage for business equipment and doesn’t offer any coverage for liability, business interruption and business activities that take place outside your home (such as craft shows). That means you’re likely not covered adequately if your equipment or inventory is damaged, lost or stolen, or if a customer visiting your home slips and falls, resulting in an injury.
Your homeowners policy might let you add an endorsement to increase the business equipment limit. Still, that limit may not be adequate to cover the true value, and it will generally exclude any type of business-related liability, or will only cover on-premise occurrences, leaving you without liability coverage at craft shows and other events away from your home.
Overall, you may find that a homeowners policy is not the best choice to protect your business risk. Fortunately, you have other options.
In-Home Business Policy
If you operate an art/crafts business from your home, you may want to consider an in-home business policy. This is a policy you purchase separately from your homeowners coverage. These policies are designed specifically to handle the business insurance needs of a home-based business and cover business personal property (equipment, inventory and supplies) and business-related liability. In addition, an in-home business policy can provide coverage for lost income and the loss of valuable papers and records that occur as the result of a covered loss.
An in-home business policy provides coverage for losses or damage from business activities conducted in your home or off-site at some other location. That means your coverage can extend beyond the boundary of your home to include protection for your business property while you are in transit and provides liability coverage when you are performing business-related activities at a craft show or someone else’s residence.
Better in-home business policies are reasonably priced, starting at around $150 per year for $300,000 in general liability and $5,000 in property coverage for your business. Depending on your business needs, higher levels of coverage are available. You should know rates will vary from state to state, and not all types of home-based businesses will qualify for this coverage.
The in-home business policy strikes a good balance in giving you most of the features of a business owners policy, but at an affordable premium amount, provided your business qualifies.
Business Owners Policy
A business owners policy (often referred to as a BOP) is the most comprehensive solution to insuring your business. This is what a full-time business owner with a storefront will often secure to insure their business. The BOP was designed as a commercial insurance solution for small and mid-sized businesses. This type of policy should be considered if a home-based art/craft business operates from multiple locations or manufactures or keeps business property at a location other than one’s home. For example, if your home-based business uses an off-site storage facility for inventory and supplies, then you probably need a BOP to make sure you have proper coverage.
The coverage on an in-home business policy and a traditional BOP will be very similar. The key differences are that the BOP may offer higher limits and broader eligibility. That broader eligibility also means a higher minimum premium—usually starting at around $1,000 per year.
Event/Show Insurance
Most craft show and festival promoters require exhibitors at these events to carry liability coverage that protects you (and them) in case an accident happens and someone is injured during the event. The amount of liability coverage needed will vary from one show to another; however, $1 million in coverage is fairly standard at a cost of about $100 to $200 per event.
You can usually get that level of liability coverage from your in-home business policy or BOP, so you may already meet the liability needs for the art or craft shows you plan to attend. If so, you would not be required to purchase additional insurance for each show. Be sure to check each show’s liability insurance requirements ahead of time to make sure you get the proper coverage.
Important Factors to Consider
Now that you know the four main types of insurance available for your business, here are some important items to consider or questions to ask yourself which can help determine the type of coverage your art/craft business can or should have.
Location
Where your business is located is a very important factor. Is it at home, a studio or store? Also, is all of your business property kept at home? Or do you have business property that’s kept at a storage facility or some other location? If all of your business property is located in your home, then you may qualify for an in-home policy. If you run a store or keep materials somewhere other than your home, you probably need a BOP.
Type of Business
The type of business you operate can affect the type of policy or coverage you can buy or receive. For example, some business insurance policies may not cover handmade toys. And some policies may exclude candle making. As a general rule, be as specific as possible when talking to your insurance agent about the nature and scope of your business. Your insurance agent can help you determine what’s best for you and make sure your business is properly categorized. How much you sell will also make a difference in both eligibility and rates. This is usually determined in terms of annual sales volume.
Value of Business Personal Property
Smaller businesses with up to $50,000 of business property will often get a better price on an in-home business policy. For higher limits of coverage, a BOP policy will be the better choice.
Be sure to purchase coverage limits equal to the full value of your business property. Your policy may not make full payment if you don’t. This is another reason why it’s important to regularly talk with your insurance agent and update coverage levels as your business changes.
Do your research
Armed with this information, you can find the right insurance coverage for your business. You can learn more about in-home business coverage and other insurance options by searching online and then by talking to an insurance agent about your business and your needs. TCR

insurance2Finding business insurance that’s “just right” for your art or craft business can make you feel a bit like Goldilocks (of the Three Bears fame). Having too little or the wrong type of coverage could be disastrous for your business; paying too much for your coverage because the insurer lumps you in with bigger businesses can be just as bad. Luckily, your search for the right business insurance can have a happy ending. All it takes is a little understanding of the different types of available coverage and a good assessment of your art/craft business needs.

Read more...
 
How to Restore Your Craft Business After a Medical Crisis
Written by Diana Lambdin Meyer   
Some disasters aren’t easy to prepare for. Kelly McLain, a glass artist in Seattle, started her day in May 2006 with a headache. By the end of the day, she was blind in one eye and within 24 hours, she was in surgery with three brain aneurysms. For a month, doctors kept her sedated and for another two months she was hospitalized. Then she moved to Michigan for several months of recuperation in her sister’s care. In all, McLain was out of commission for almost nine months, and is still at risk of seizures.
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Tips for Flourishing in Our New Economy
Written by Donald Clark   

feature-june-2009-1If the stream you’re in isn’t moving, move to another stream. Bob Silberberg of The Clay Pot in Brooklyn recently used this analogy in reference to the current market situation. With this simple thought and powerful message in mind, I set off for the New York International Gift Fair (NYIGF®). This annual event in January attracts nearly 3,000 wholesale players and 60,000 buyers from around the world who have to keep their boats moving along.

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Thriving in Tough Times
Written by Krista Bard   

feature-may-2009-1Pema Chodron’s recent book has the prescient title, When Things Fall Apart. She explains how we all experience wanting things to be different than they are, but, if we can stay present, breathe, and really, deeply let ourselves feel the uncomfortable physical impact of fear, “touch the awareness of the experience,” and “the link with all humanity,” then we could really learn something. Even though artists may have always been more sensitive to and connected with people, a little of Chodron’s “abiding compassion” and awareness may help us not just survive but maybe even thrive in these tough times.

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Handmade at NYIGF

feature-february-2009-3Expect Exciting New Resources and Top Quality at Winter Show

Fresh from the jury meeting to select new companies for the Handmade® division of the New York International Gift Fair® (NYIGF®), sales manager Liz Beauregard is excited for the winter 2009 Fair, scheduled for January 25 to 29 in New York City. “This was one of the best groups of applicants we’ve seen,” she says.

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Is Fair Trade Fair to United States Artists?
Written by Megy Karydes   

feature-january-2009-fair-trade-1An artist begins by taking stone and metal pieces and slowly turns them into a work of art—a necklace that could easily find a home with any woman who appreciates handmade jewelry. It could have been made by an American artist—but it wasn’t.

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The Funeral Business Comes Alive With Opportunities For Artists
Written by Mike Ricci   

feature-november-2008-funeral-industry-1As the market for handmade craft con­tinues to idle while faced with the current econ­omy, artists are scram­bling to seek any remaining untapped opportunities. Out of this search, a small but growing number of craftspeople are finding new life in the thriving funeral industry.

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