April 2003 • Pottery

Debbie Dean: Follow That Rabbit

Debbie Dean started making wheel-thrown and hand-painted pottery 25 years ago with what has become her signature design: a cobalt blue and creamy white checkerboard pattern. Within this pattern, she painted three distinct motifs of a rabbit, a sheep and a goose. Dean still creates one-of-a- kind pieces using these designs, but her line has expanded to include a myriad of other colors and motifs, including a menagerie of animal figurines, tropical designs and seasonal gift items. Deanšs studio/gallery called The Clay Rabbit House is located in downtown Portland, Ore.

TCR:  How did you first become interested in making pottery?

DD: I actually started at age 16. My high school had a complete pottery facility, including 23 pottery wheels and a gas kiln, plus a teacher who made us learn the technical side of creating pottery. He even got us thinking about the business side of it by having a studio sale at the end of the year. As early as my senior year in high school, I was consigning my work to local galleries.

TCR: How have you pursued your career?

DD: After high school I went to Portland State to study ceramics, but they were teaching us about fine art, and I really didn't want that. I wanted to make and sell pottery. The curriculum just didn't have what I needed. At that point, I was still consigning to local galleries, and doing some local art fairs. I met a few other artists (not all potters) who were going to New Zealand. I left college and went with them. I wound up staying for five years. Pottery is really well received there. In fact, it's where I began wholesaling.

But, after five years I was ready to come home. I left all my equipment and even my car there. I came back to Portland and got a "real job" in an office for a while, until I found a job throwing on the wheel for an oil lamp maker. Eventually, I leased space from my employer and created my own studio. After about three years of selling my work at the Saturday markets in Portland, I started approaching kitchen shops and galleries to wholesale my work.

I also started working with sales reps who would go to various shows and market my work to shops around the country. I did really well with them, but after eight years, it began to get overwhelming and I started thinking I'd rather sell retail again. I started doing shows, and eventually I was making more money that way, so I gradually backed out of wholesale. I learned that people wanted to buy directly from me. That's when I opened my first retail shop, selling my own work. We moved a few times before settling at our current location. My home, shop and studio are all on the same property. My husband and daughter-in-law work with me now, so it's really a family business.

TCR: Who are the customers for your work? What is your strategy for reaching them?

DD:I have a following of people who like traditional pottery styles, as I do. People go out of their way to buy pottery from me. We've also developed a mailing list with about 5,000 names on it. We send mailings a few times a year to our customers, which get a pretty good response. We have two "seconds sales" every year, a Christmas Open House, and we send an anniversary newsletter out about every three years. It's been working really well for us. I still do about six shows every year, and I've held on to some wholesale accounts, too. Our Web site at www.clayrabbit.com has brought us business, also.

TCR:  Have there been major turning points in your career?

DD: There have been many. I guess every time I've moved has been a turning point, a major change that furthered my career in some way from high school to college, from college to New Zealand, then back home again. Every time we've moved within Portland has represented change and growth, too.

TCR:  What has been the most difficult thing you have encountered in your work?

DD: The hardest thing I encountered was trying to balance my wholesale and retail business. I tried to keep my business small, and to keep my hands in everything, but that became really difficult to do. I knew I wanted to go further into retailing, but it was a hard decision to move away from wholesaling. It's also difficult to figure out the economy and how it will affect our business. That's constantly evolving.

TCR:  What, in terms of business insight, have you learned to do or not to do over the years?

DD: I've learned not to count on one income source too much, to have a good mix of sales venues. We still do craft fairs, a little wholesale and run our retail business. I've also learned it's important to have a good mailing list, and to make pieces that customers will want to collect. I also learned, a long time ago, to make things that I would want to buy for myself.

TCR:  How has the Internet affected your business?

DD: We've seen Internet sales increase over the last few years. I see selling on the Web as my first step toward retirement, which at this point is probably 10 or 15 years away. But I figure that if I can build it to the point where it brings in enough income, it might be enough to sustain us through retirement.

TCR:  What is the next step for you?

DD: We're always trying to change and grow. Lately, we've been selling a lot of handmade sinks and tiles. So we're seeing growth in the home remodeling market. I'm interested right now in possibly advertising in publications geared toward that market.


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